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Albrecht Altdorfer and the Origins of Landscape
Christopher S. Wood
University of Chicago Press, 1993
In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape,Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior.
 
This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.
 
“Excellent illustrations . . . [and] detailed exuberant comments leave the reader in no doubt about Altdorfer’s brilliance and originality.”—Anthony Grafton, New York Review of Books
 
“A study that is bound to become a standard work.”—Independent on Sunday
 
“Sumptuous.”—Daily Telegraph
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Albrecht Altdorfer and the Origins of Landscape
Revised and Expanded Second Edition
Christopher S. Wood
Reaktion Books, 2014
In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior.
 
This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.
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Forgery, Replica, Fiction
Temporalities of German Renaissance Art
Christopher S. Wood
University of Chicago Press, 2008
Today we often identify artifacts with the period when they were made. In more traditional cultures, however, such objects as pictures, effigies, and buildings were valued not as much for their chronological age as for their perceived links to the remote origins of religions, nations, monasteries, and families. As a result, Christopher Wood argues, premodern Germans tended not to distinguish between older buildings and their newer replacements, or between ancient icons and more recent forgeries.
             But Wood shows that over the course of the fifteenth and early sixteenth centuries, emerging replication technologies—such as woodcut, copper engraving, and movable type—altered the relationship between artifacts and time.  Mechanization highlighted the artifice, materials, and individual authorship necessary to create an object, calling into question the replica’s ability to represent a history that was not its own. Meanwhile, print catalyzed the new discipline of archaeological scholarship, which began to draw sharp distinctions between true and false claims about the past. Ultimately, as forged replicas lost their value as historical evidence, they found a new identity as the intentionally fictional image-making we have come to understand as art.
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From Conquest to Conservation
Our Public Lands Legacy
Michael P. Dombeck, Christopher A. Wood, and Jack E. Williams
Island Press, 2003

From Conquest to Conservation is a visionary new work from three of the nation’s most knowledgeable experts on public lands. As chief of the Forest Service, Mike Dombeck became a lightning rod for public debate over issues such as the management of old-growth forests and protecting roadless areas. Dombeck also directed the Bureau of Land Management from 1994 to 1997 and is the only person ever to have led the two largest land management agencies in the United States. Chris Wood and Jack Williams have similarly spent their careers working to steward public resources, and the authors bring unparalleled insight into the challenges facing public lands and how those challenges can be met.

Here, they examine the history of public lands in the United States and consider the most pressing environmental and social problems facing public lands. Drawing heavily on fellow Forest Service employee Aldo Leopold’s land ethic, they offer specific suggestions for new directions in policy and management that can help maintain and restore the health, diversity, and productivity of public land and water resources, both now and into the future.

Also featured are lyrical and heartfelt essays from leading writers, thinkers, and scientists— including Bruce Babbitt, Rick Bass, Patricia Nelson Limerick, and Gaylord Nelson—about the importance of public lands and the threats to them, along with original drawings by William Millonig.


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Isherwood on Writing
The Complete Lectures in California
Christopher Isherwood
University of Minnesota Press, 2022

Isherwood’s lectures on writing and writers, now all available for the first time

In the 1960s, Christopher Isherwood gave an unprecedented series of lectures at California universities about his life and work. During this time Isherwood, who would liberate the memoir and become the founding father of modern gay writing, spoke openly for the first time about his craft—on writing for film, theater, and novels—and spirituality. Isherwood on Writing brings these free-flowing, wide-ranging public addresses together to reveal a distinctly American Isherwood at the top of his form.

This updated edition contains the long-lost conclusion to the second lecture, published here for the first time, including its discussion of A Single Man, his greatest novel, and A Meeting by the River, his final novel.

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Prater Violet
Christopher Isherwood
University of Minnesota Press, 2001

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Res
Anthropology and Aesthetics, 57/58: Spring/Autumn 2010
Francesco Pellizzi
Harvard University Press, 2010
This double volume of the renowned international journal of anthropology and comparative aesthetics includes “Aesthetics’ non-recyclable ground” by Félix Duque; “Seeing through dead eyes” by Jonathan Hay; “The hidden aesthetic of red in the painted tombs of Oaxaca” by Diana Magaloni; “A consideration of the quatrefoil motif in Preclassic Mesoamerica” by Julia Guernsey; “Hunters, Sufis, soldiers, and minstrels” by Cynthia Becker; “Figures fidjiennes” by Marc Rochette; “A sacred landscape” by Rachel Kousser; “Military architecture as a political tool in the Renaissance” by Francesco Benelli; “The icon as performer and as performative utterance” by Marie Gasper-Hulvat; “Image and site” by Jas’ Elsner; “Untimely objects” by Ara H. Merjian; “Max Ernst in Arizona” by Samantha Kavky; “Form as revolt” by Sebastian Zeidler; “Embodiments and art beliefs” by Filippo Fimiani; “The theft of the goddess Amba Mata” by Deborah Stein; and contributions to “Lectures, Documents and Discussions” by Gottfried Semper, Spyros Papapetros, Erwin Panofsky, Megan R. Luke, Francesco Paolo Adorno, and Remo Guidieri.
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